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#97 – Richard Martin

October 18, 2025 By //  by Stuart

Richard Martin is a multi-skilled and astute operator. He combines creative flair with a very sound approach to business, problem-solving and meeting deadlines.

Often, as creative people, we love to dig deep into the joyful processes of making stuff, but frequently we lack the capacity to insist on sufficient time, money and space to allow that to happen. Richard talks about that in this episode, and we are so happy with the conversation we had.

Fresh from his stint on the successful TV drama seriesย The Day Of The Jackal with Eddie Redmayne, this was a joy to record, and we both met with Richard and recorded this episode in his workshop in the Midlands in November 2024.

Check out his Instagram account to see more of his fantastic work.

Richard did not start from an effects background, coming to the field later in life from a sales background, which has helped him approach the business of effects from a, well…, business frame of mind. In this episode, he presents a refreshing perspective on how we should support our talent.

We cover various topics, such as:

  • ย Discussing Flock & Flocking
  • ย Techniques and Challenges in Flocking
  • ย Insights in Pigmenting Silicone
  • ย Painting Prosthetics: Tips and Tricks
  • ย 3D Printing in Prosthetics
  • ย The Evolution of Scanning Technology
  • ย Life Casting vs. Scanning
  • ย AI in Prosthetics and Beyond
  • ย The Illusion of Progress
  • ย Self-Sufficiency and Modern Life
  • ย The Digital vs. Traditional Debate
  • ย Efficient Workflows in Sculpting
  • ย Breaking into the Industry
  • ย Balancing Creativity and Business

Listen here or better yet, subscribe to the show on your favourite podcast app. We are on them all – Spotify, Apple Podcasts, Pocket Casts, YouTube etc.

Transcript of this episode here


If you enjoy this podcast and got something out of it, would you do us a solid and tell people about it? Send them a link and help the show grow!

The flocked head discussed in the episode

Eddie Redmayne in prosthetics, scanned and printed to create this head

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Previous Post: « #96 – Brian Best
Next Post: #98 – Chris Clarke »

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Comments

  1. Brandon

    November 16, 2025 at 9:17 pm

    Awesome episode, invaluable. I have taken away from this, that I should look at getting the hue and density right in the silicone during the casting process, rather than relying on illustrating it after! So right, you can easily lose the detail, especially if trying to create the opaque highlights. Thanks guys.

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