At IMATS London 2019, I sat and had a great chat with Rick from Bolton University. For those that may not be aware, a brief Rick bio:
“Richard is a senior lecturer and Programme Leader of the Special Effects for Film and TV degree at the University of Bolton. He’s been teaching at the university for several years and specialises in character work, in both the prosthetic make-up effects and model-making fields. “
In the episode, we talk about the massive effect 3D printing and technology is having on what was previously a traditional skills area. What is cool is that new blood is coming in, taking on board the new tech and learning old skills for the first time in equal measure, making something new and quite special as a result. He is an interesting chap and has, I think you will agree, a very good voice for radio! Give us a listen and let us know what you think.
To listen, you can stream or download on the player below. Better yet, subscribe on your favourite podcast platform such as Apple Podcasts, Spotify, Luminary, iHeartRadio and Stitcher.
Incidentally, all the lecturers at Bolton have been doing great work there for years, making a real impact on the quality of work and competence the students leave with. The lecturers and support crew in all the courses at Bolton have been so generous and supportive, they really do deserve a shout out.
We recently collaborated with various mentors to support their recent Island of Dr Moreau project which was filmed this past week.
More on this exciting collaboration with Matt Winston from the incredible Stan Winston Character School of Character Arts here.
In it, we discuss various things, and I mention a He-Man and a Skeletor suit made for a Money Supermarket commercial built by Legacy FX.
Check out the cool behind the scenes video of David Monzingo, Brian Best and Myself wrangling suits for the commercial shoot in London here. I was lucky enough to help out just for a day – David and the Legacy FX team handled the build and full shoot days – it was a blast!
Todd and I chatted about safer mould materials, which is great for anyone with limited workshop access, open spaces and extraction. This led to an interesting discussion about comparing plaster and resin use in the UK and USA for mould making.
The materials we mentioned were acrylic polymers to be used with Gypsum, and sound similar in regards to mixing and properties:
Acrylic Plaster Polymer by Alec Tiranti
Acrylic One by Active Composite Technologies
We also discuss the workspaces used by students in makeup schools and colleges, measuring accuracy in CAD and ZBrush and the amazing work of Landon Meier. If you haven’t seen his stuff, it really is incredible and you can do a lot worse for entertainment than check out his stuff here: http://www.hyperflesh.com/
This article is also entertaining: https://www.greatbigstory.com/stories/this-guy-makes-the-world-s-most-convincing-masks
His Instagram: https://www.instagram.com/hyperfleshdude/
His YouTube: https://www.youtube.com/user/disgustedbaby
Correction – In the podcast at 19:03 it was Monsterpalooza 2018 we did the Bela Lugosi application – not IMATS as I said. D’oh!
Have a splendid week! We shall return soon.
Stuart & Todd.